Shiva Sama Rahe Mujhme
Last updated: 30/7/2026
🎤 Hansraj Raghuwanshi🎼 Key: D MajorCapo: SecondLevel: Intermediatechords
A beautiful Bollywood song by Hansraj Raghuwanshi with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
D--G--Em--F#m--C--A--Gm
Orginal Scale is E
D Om Namah Shivay
D Om Namah Shivay
D Shiv Sama RaheG Mujhme
Aur MaiEm Shunya HoD Raha Hoon
D Shiv Sama RaheG Mujhme
Aur MaiEm Shunya HoD Raha Hoon
D Krodh Ko,F#m Lobh Ko
Em Krodh Ko,F#m Lobh Ko
G Main BhasmaC Kar Raha Hoon..G
D Shiv Sama RaheG Mujhme
Aur MaiEm Shunya HoD Raha Hoon
D Om Namah Shivay
D Brahma Muraari Suraarchit Lingam
G Nirmal Bhashit Shobhit Lingam
Em Janmaja DukhG Vinaashk Lingam
TatA Pranamaami SadaaD Shiv Lingam
D Teri BanayiG Duniya Mein
KoyiEm Tujh SaD Mila Nahi
D Main Toh BhatkaG Darbadar
KoyiEm KinaraD Mila Nahi
D Jitna Paas TujhEm ko Paya
F#m Utna Khud SeG Door JaA Raha Hoon
D Shiv Sama RaheG Mujhme
Aur MaiEm Shunya HoD Raha Hoon
D Om Namah Shivay
D Maine Khud KoG Khud Hi Bandha
C Apni KhinchiG LakironD Mein
D Main Lipat Chuka Tha
C Ichha KiG ZanjironD Mein
Gm Anant Ki Gahraiyon Mein
C Samay Se Door HoD Raha Hoon
Gm Shiv Pranon Me Utar Rahe
AurC Mai MuktD Ho Raha Hoon
D Shiv Sama RaheG Mujhme
Aur MaiEm Shunya HoD Raha Hoon
D Wo Subah Ki Pahli Kiran Mein
D Wo Kastoori Ban Ke Hiran Mein
C Megho Me Garje, Gunje Gagan Mein
G Ramta Jogi, Ramta Gagan Mein
D Wo Hi Vayu Mein, Wo Hi Aayu Mein
D Wo Jism Mein, Wo Hi ROh! Mein
C Wo Hi Chhaya Mein, Wo Hi Dhoop Mein
G Wo Hi Hain Har Ek Roop Mein
D O... Bhole... O...
D Krodh Ko,F#m Lobh Ko
Em Krodh Ko,F#m Lobh Ko
G Main BhasmaC Kar Raha Hoon..G
D Shiv Sama RaheG Mujhme
Aur MaiEm Shunya HoD Raha Hoon
## 🎸 Song Overview & Key
"Shiva Sama Rahe Mujhme" is a devotional Bollywood song with a deep, meditative mood, blending spiritual intensity with soulful guitar work. The original scale is **E**, but with the **capo on the 2nd fret**, the effective key becomes **F# major**. This gives the song a rich, resonant sound typical of Hansraj Raghuwanshi’s style. The tempo is slow to moderate, allowing for expressive phrasing and dynamic control. Notably, the chord progression leans heavily on **D, Bm, and G**, creating a sense of longing and surrender, while the **F#m and C** chords add emotional depth.
## 📐 Chord Progression Analysis
The song revolves around **D major** as the tonic (with the capo), but the progression shifts between **D, Bm, G, Em, F#m, and C**. These chords form a **modal mix of D major and E minor**, creating tension and resolution. For example, the **D → G → Em** sequence (I → IV → vi) is common in Bollywood ballads, evoking a spiritual yearning. The **F#m** chord (ii in E minor) adds a darker, introspective tone, while the **C** chord (iv in D major) introduces a sense of resolution. Roman numerals in the key of D major would be:
- **D (I), Bm (vi), G (IV), Em (iii), F#m (ii), C (iv)**.
This progression works because it balances stability (I, IV) with emotional contrast (vi, iii).
## 🖐️ Fingering & Technique Tips
For **D major**, use the standard open chord shape (022232) for simplicity. **Bm** can be tricky—try using the 7th-fret Bm voicing (xx2220) to avoid barre chords. For **F#m**, an alternative is to use the 2nd-fret F#m shape (xx4432) with the capo on 2, making it easier to play. The **C chord** (003200) works well here. When transitioning between **D and F#m**, practice slow, deliberate shifts to avoid muting strings. For the **G chord**, use the open G (320003) for a fuller sound.
## 🥁 Strumming Pattern & Rhythm
Use a **slow, rolling strumming pattern** like **down-up-down-up** with a focus on the **bass note** (low E string) for a grounded, devotional feel. In verses, keep the rhythm steady but soft, emphasizing the **downstrokes** on the 1st and 3rd beats. In choruses (e.g., *"Shiv Sama Rahe Mujhme"*), add **dynamic swells** by muting the strings with your picking hand for dramatic effect. The time signature is **4/4**, with a moderate tempo (~60–70 BPM).
## 🎵 Song Structure Walkthrough
The song begins with a **soft intro** of **D major**, repeating *"Om Namah Shivay"*. The **verse** (e.g., *"Shiv Sama Rahe Mujhme"*) uses **D → G → Em** progressions, while the **chorus** adds **F#m and C** for emotional lift. A **bridge** section (*"Brahma Muraari..."*) introduces **Gm and C** chords, creating a darker, more intense mood. The final **repeat of the chorus** builds up with **D → G → Em** before resolving on **D**. Pay attention to the **phrase lengths**—each verse has 4 lines