Sajde Kiye Hai Lakhon
Last updated: 26/7/2026
🎤 K K, Sunidhi Chauhan, PritamLevel: Intermediatechords
A beautiful Bollywood song by K K, Sunidhi Chauhan, Pritam with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Abm--E--F#--B--Fm--Ebm
B Sajde kiye hai lakho
Abm Lakho duae mangi
E Paya hia F# maine phur tu B jhe
B Chahat me teri maine
Abm haq me hawaye mangi
E Paya hai F# maine phur tu B jhe
B Tujhse hi dil yeh behla
Fm tu jaise Ebm kalma pehla
E chahu na phir kyu main tu F# jhe
B Jis pal na chaha tujhko
Abm us pal sajaye mangi
E Paya hai F# maine phur tu B jhe
B Sajde kiye hai lakho
Abm Lakho duae mangi
E Paya hai F# maine phur tu B jhe
B jaane tu sara woh Ebm dil me jo mere ho
E Pad le ankhien har da F# fa
B Nakhre se naji bhi Ebm hote hai razi bhi
E tujhse hi hote he kha F# fa
B Jaane tu baate saari
Fm Katati hai Ebm raate saari
E Jalde diye si aur bu F# jhe
B uth uth ke raton me bhi
Abm teri balaye mangi
E Paya hai F# maine phur tu B jhe
B Chahat ke kajaz se Ebm kismet ke kagaz pe
E Apni wafa likh F# zara
B Bole zamana yoon Ebm main tere jaisi hoon
E Tu bhi to mujhsa dikh F# zara
B Mera hi saya tu hai
Fm mujhme sa Ebm maya tu hai
E Har pal yeh lagta hai mu F# jhe
B Khud ko mitaya maine
Abm teri adaye mangi
E Paya hai F# maine phur tu B jhe
B Chahe tu chahe mujhko
Abm aisi adayein mangi
E Paya hai F# maine phur tu B jhe
## 🎸 Song Overview & Key
"Sajde Kiye Hai Lakhon" is a soulful, devotional Bollywood ballad with a deeply emotional tone. The song is rooted in **Ab minor**, creating a rich, melancholic mood that mirrors the lyrics about longing and devotion. The tempo is moderate (around 60–65 BPM), allowing space for expressive phrasing and dynamic swells. One standout feature is the use of **non-diatonic chords** like [B] and [F#], which add tension and resolution, giving the song its spiritual intensity.
## 📐 Chord Progression Analysis
The chord progression revolves around **Abm**, [E], [F#], and [B], creating a cycle of tension and release. For example, the line **[Abm] – [E] – [F#] – [B]** uses borrowed chords from parallel modes (like F# minor and B major) to evoke a sense of yearning. In Roman numerals (based on Ab minor), this translates to **i – IV – #vi – VII**, which creates a dramatic pull toward resolution. The repetition of **[E] – [F#] – [B]** in the chorus acts as a musical "hook," reinforcing the song’s emotional climax.
## 🖐️ Fingering & Technique Tips
The [Abm] chord (likely a barre chord across the 5th fret) can be tricky for beginners. To simplify, try using a **partial barre** with your index finger on the 5th fret (covering strings 6–3) and let the 4th and 3rd fingers fret the 6th and 5th strings. For [F#], use a **partial shape** with your index on the 2nd fret (string 3) and ring finger on the 4th fret (string 1). Transitions between [Abm] and [B] (which often involves a barre on the 7th fret) are smoother if you **anchor your pinky** on the 7th fret (string 2) while shifting. Practice these changes slowly, focusing on clean finger placement.
## 🥁 Strumming Pattern & Rhythm
Use a **soft, flowing strumming pattern** like **↓ ↑ ↓ ↑ ↓ ↑** (down-up-down-up) with a gentle accent on the [B] chords in the chorus. In verses, keep the strumming sparse and rhythmic, emphasizing the **[Abm] – [E] – [F#]** progression. For the chorus, add **dynamic swells** by muting the strings between chords to highlight the emotional peaks. The time signature is **4/4**, with a steady pulse that mirrors the lyrical rhythm.
## 🎵 Song Structure Walkthrough
The song follows a **Verse – Chorus – Verse – Chorus – Bridge – Chorus** structure. The **verse** uses the [Abm] – [E] – [F#] – [B] progression, while the **chorus** repeats the **[B] – [E] – [F#] – [B]** pattern for emphasis. The **bridge** introduces [Fm] and [Ebm], adding a darker, more introspective tone. Pay attention to the **[B] – [Ebm] – [E] – [F#]** sequence in the bridge—it’s a key moment for expressive phrasing.
## 💡 Pro Practice Tip
Focus on **matching your strumming to the lyrical rhythm**. For example, in the line **“Sajde kiye hai lakho,”** let the strumming fall on the syllables “sa-jde ki-ye hai,” creating a natural syncopation. This will help you internalize the song’s flow and make your playing feel more connected to the lyrics.