Pora Banshi Shunle E Mon

Last updated: 26/7/2026

🎤 Asha Bhosle, R.D. Burman🎼 Key: G MinorLevel: Intermediatechords

A beautiful Bollywood song by Asha Bhosle, R.D. Burman with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
Gm--C--F#--D--F--G

Hay..........
Gm Pora bashi shunle e monC aar thaF# kena
D Ghore thaGm kena
Gm Ashbe bole kotha diye sheC hae asheF# nare
D Kotha rakheGm naa
Gm Raat jege duti chokhe jala jhoreF jaae
F Shukiye gelo ful malaa jhoreGm jaae
Gm Raat jege duti chokhe jala jhoreF jaae
F Shukiye gelo ful malaa jhoreGm jaae
Gm HayreD hayreG hayre haae
Gm Praner khachae posha Tiaa tiC aar jaF# nena
D Kano daaGm kena
Gm Pora bashi shunle e monC aar thaaF# kena
D Ghore thaGm kena
Gm Duru duru kore buk uru uruF mon
F Shashuri nonodi buraae koreGm jalaton
Gm Duru duru kore buk uru uruF mon
F Shashuri nonodi buraae koreGm jalaton
Gm HayreD hayreG hayre haae
Gm Chader alo lagena bhaloC haae dhaF# kena
D Megh dhaaGm kena
## 🎸 Song Overview & Key This song has a sultry, romantic mood, typical of R.D. Burman’s Bollywood work, with a mix of longing and playful energy. The key is **G minor**, which gives it a rich, emotive foundation. The presence of **F#** and **Bm** chords adds a touch of tension and drama, while the **C** and **D** chords provide brightness. The tempo is moderate, around **100 BPM**, allowing for smooth legato phrasing and expressive strumming. One unique characteristic is the **chromatic shift** between **F#** and **F** in certain sections, creating a subtle, exotic flavor. ## 📐 Chord Progression Analysis The main progression revolves around **Gm → C → F# → D**, repeating in verses. This movement follows a **ii–V–bVI–I** pattern in G minor, creating a sense of resolution when landing on **D** (which acts as a borrowed chord from the parallel major key). The **Bm** chord (used in the final chorus) introduces a **iv** function, adding color. The **F** and **F#** chords are particularly interesting: **F** (a diatonic chord in G minor) contrasts with **F#** (a chromatic neighbor), creating a playful, almost jazz-like tension. This interplay is key to the song’s signature sound. ## 🖐️ Fingering & Technique Tips For **Gm**, use a **barre chord** (3rd fret) with your index finger, or an easier **open voicing** (x00033). **C** and **D** are straightforward open chords, but ensure your fingers are close to the fretboard for clarity. The **F#** chord (barre at 2nd fret) can be tricky—try using your pinky on the 4th string (3rd fret) and muting the 6th string with your palm. For **Bm**, use **x24232** and avoid muting the 3rd string. Challenging transitions? Practice **Gm → C** slowly, focusing on lifting your fingers cleanly. ## 🥁 Strumming Pattern & Rhythm Use a **syncopated strumming pattern** like **down-up-down-up** for verses, emphasizing the **off-beats** to mirror the song’s playful rhythm. In the chorus (with **Bm** and **D**), switch to a **rolling pattern** (down-up-up-down-up), adding dynamics. The time signature is likely **4/4**, but the phrasing feels slightly **swingy**—listen to the original recording for inspiration. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus → Verse → Chorus → Bridge → Chorus** structure. The **intro** uses **Gm → C → F#** to set the mood. The **verse** repeats the **Gm–C–F#–D** progression, while the **chorus** introduces **Bm** and **D** for emotional lift. The **bridge** uses **F** and **Gm** chords, creating a softer, more introspective feel. Pay attention to **dynamics**: verses are softer, choruses are bolder. ## 💡 Pro Practice Tip Master the **F# chord** by practicing it with **Gm** in a **slow, deliberate sequence** (e.g., Gm → F# → Gm). Focus on **even volume** between the two chords to avoid muting the 6th string. Once comfortable, speed it up to match the song’s rhythm. This will help you nail the song’s signature chromatic flair!