Naina
Last updated: 26/7/2026
🎤 Qamar Kamli🎼 Key: G MinorLevel: Intermediatechords
A beautiful Bollywood song by Qamar Kamli with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Gm--D--D#--Cm
Gm Naina
Naina day kol kolD rehna
Pal da firaaq naiyoonD# sehna
D Naina ton durr naGm karien
Gm Dukhrray Sunavnay
Gm Beth merayD samnay
Din ehhCm pyar waalay
Phir kadonGm aavanay
Gm Akkhaan
Akkhaan na vaikh vaikhD thakkaan
Dil di kitaab vichD# rakkhaan
D Akkhaan ton durr naGm karien
Gm Naina
Naina day kol kolD rehna
Pal da firaaq naiyoonD# sehna
D Naina ton durr naGm karien
Gm Hijraan nu dhaall vey
Rehn dayD visaal vey
Jindrri nayCm rona paaya
Jeena tairayGm naal vey
Gm Sahnvaan
Baqi nay yaar jo viD Sahnvaan
Hans kay main naam tairayD# lavaan
Sahnvaan chon durr naGm karien
Gm Naina
Naina day kol kolD rehna
Pal da firaaq naiyoonD# sehna
D Naina ton durr naGm karien
## 🎸 Song Overview & Key
"Naina" is a soulful, melancholic ballad that leans into the emotional depth of G minor. The key is **G minor**, with a haunting, introspective mood that mirrors the lyrics’ themes of longing and separation. The tempo is moderate (around 60-65 BPM), allowing space for expressive phrasing. One standout feature is the use of **D#** chords, which add tension and a touch of exoticism, typical of Bollywood’s rich harmonic language. The song’s rhythm is steady and flowing, with a 4/4 time signature that feels like a heartbeat.
## 📐 Chord Progression Analysis
The song revolves around a **Gm – D – D# – Cm** cycle, creating a cyclical, meditative feel. In G minor, **D** acts as a secondary dominant (VII), while **D#** introduces a raised fourth degree, hinting at the harmonic minor scale. This progression works because:
- **Gm (i)** establishes the tonic, grounding the piece in minor-key melancholy.
- **D (VII)** creates a jazzy, unresolved tension.
- **D# (bVI)** adds a surprising, colorful twist, typical of Bollywood’s flair for unexpected harmonies.
- **Cm (vi)** provides a somber resolution, reinforcing the song’s emotional weight.
The Roman numeral movement follows **i – VII – bVI – vi**, emphasizing the contrast between tension and release.
## 🖐️ Fingering & Technique Tips
For **Gm**, use a compact voicing with your 1st finger on the 3rd fret of the 6th string (G), 2nd finger on the 3rd fret of the 5th string (D), and 3rd finger on the 3rd fret of the 1st string (B). For **D**, barre the 2nd fret across the 4th to 6th strings, then add the 3rd finger on the 3rd fret of the 3rd string (F#). The **D#** chord is trickier—try a simplified version with your 1st finger on the 4th fret of the 6th string (D#), 2nd on the 4th fret of the 5th string (F#), and 3rd on the 4th fret of the 3rd string (A). Smooth transitions between **D** and **D#** require practicing finger slides or using a pivot finger (e.g., 1st finger staying on the 2nd fret of the 6th string for **D**, then lifting to reach **D#**).
## 🥁 Strumming Pattern & Rhythm
Use a gentle, flowing pattern like **↓ ↑ ↓ ↓ ↑ ↓ ↑**, emphasizing the offbeats to add warmth. In verses, keep the dynamics soft and intimate, using light fingerpicking on the high E string for melodic accents. In choruses, add more vigor with full strums but maintain a smooth, legato feel. The **D#** chord should be strummed with a slightly detached touch to highlight its tense, exotic character.
## 🎵 Song Structure Walkthrough
The song follows a **Verse – Chorus – Verse – Chorus – Bridge – Chorus** structure. The **verse** (e.g., "Naina day kol kol [D] rehna") uses the **Gm – D – D# – Cm** progression, while the **chorus** ("Akkhaan ton durr na [Gm] karien") repeats the same cycle but with more dynamic emphasis. The **bridge** ("Hijraan nu dhaall vey") introduces a subtle shift in rhythm, with a focus on **Cm** to deepen the emotional contrast. Pay attention to the transition from the bridge to the final chorus—here, the **D#** chord resolves cleanly back to **Gm**, creating a satisfying closure.
## 💡 Pro Practice Tip
Master the **D to D#** transition by practicing it slowly with a metronome. Use a **hammer-on** from the **D** chord’s 3rd finger (F# on the 3rd string) to the **D#** chord’s 4th fret (A on the 3rd string). This technique smooths the transition and adds a subtle, expressive flair that’s central to the song’s character.