Mai Jo Ji Raha Hu Wajah Tum Ho

Last updated: 26/7/2026

🎤 Armaan Malik🎼 Key: E MinorCapo: FirstLevel: Intermediatechords

A beautiful Bollywood song by Armaan Malik with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
Em--G--C--Am--Bm--D--B

Em KaiseG kahun ishqC mein tere
Am Kitna hoonEm betaabG mainC
Bm Aankhon seD aankheC mila ke
Am Chura luEm tereG khwabC mai
MereEm saaye hainAm saath mein
YaaBm ra jis jagC ah tumB ho
Main joC jee raD haC hoon
Em WajahD tC um hAm o
Bm ..Em WajahD tC um hAm o
HC ai ye nasha, yEm a hai zehar
ID ss pyar koC hum kya naamD dein
Em .. Iss pyar ko hum kya naam dein
Em Hai ye nasha,G ya hai zeD har
C Iss pyar ko hum kya naam dein
Em Kab se adhuri haiG ik daastaan
C Aaja usey aaj anjaamG dein
Em Tumhe bhuloonAm kaise main
Bm Meri pehC li khataB tum ho
Main joC jee raD haC hoon
Em WajahD tC um hAm o
Bm ..Em WajahD tC um hAm o
Main joC jee raD haC hoon
Em WajahD tC um hAm o
Bm ..Em WajahD tC um hAm o
C Kya jaane tuEm mere iraade
D Le jaungaC saanseinD chura ke
Em Saansein chura ke
Em Kya jaane tuG mere iraade
C Le jaunga saansein chura ke
Em Dil keh raha haiG gunehgaar ban ja
C Bada chain hai inn gunaahon se aage
Em Main gumshudaAm si raat hoon
Bm Meri khushnumaC subahB tum ho
Main joC jee raD haC hoon
Em WajahD tC um hAm o
Bm ..Em WajahD tC um hAm o
Main joC jee raD haC hoon
Em WajahD tC um hAm o
Bm ..Em WajahD tC um hAm o
Bm ..Em ..D ..C ..Am Wajah tum ho
Bm ..Em ..D ..C ..Am Wajah tum ho
## 🎸 Song Overview & Key This beautiful Bollywood ballad is in the key of **E minor**, giving it a soulful, emotional tone that matches the song’s theme of unrequited love. The tempo is moderate (around 80-85 BPM), allowing for expressive phrasing and dynamic swells. One standout feature is the **repetitive, chant-like chorus**, which creates a haunting, memorable melody. The song blends Western pop sensibilities with Indian classical inflections, especially in the phrasing of the vocal lines and the use of open-string resonance in the chords. ## 📐 Chord Progression Analysis The chord progression revolves around **Em, Am, Bm, D, and C**, with occasional G chords for color. The movement follows a **i-IV-vi-III-ii-V-i** pattern in E minor, creating a sense of longing and resolution. For example, the progression **Em → C → Am → Bm → D → C** is a recurring motif, using the **relative major key (G major)** to add tension and release. The **Bm to D** transition is particularly powerful, as it’s a **ii-V** progression in G major, driving the music toward the dominant chord before resolving back to Em. This creates a cyclical, almost hypnotic feel that mirrors the song’s lyrical theme. ## 🖐️ Fingering & Technique Tips For **Em**, place your fingers as follows: **1st finger on 2nd fret of A string, 2nd on 2nd fret of D string, 3rd on 4th fret of G string** (barre if needed). For **Bm**, use a **barre on the 2nd fret** (index finger) with 2nd and 3rd fingers on the G and B strings. If **Bm** feels stiff, try an **open Bm voicing** (e.g., **Bm7**: 2nd fret of E, 3rd of A, 2nd of D, 3rd of G, 2nd of B). The **D chord** (open) is straightforward, but ensure your **index finger is curled** for the 3rd fret of B string. The **C chord** (open) is a staple, so practice **smooth transitions** between C and Am by lifting fingers early. ## 🥁 Strumming Pattern & Rhythm Use a **consistent down-up strumming pattern** (⬇️⬆️⬇️⬆️⬇️⬆️), emphasizing the **1st and 3rd beats** to mimic the song’s rhythmic pulse. In the **verse**, keep the strumming soft and even, with **light muting** on the off-beats. The **chorus** demands more energy—**strum harder and add a syncopated accent** on the “Wajah tum ho” line. The time signature is **4/4**, with a **swinging feel** that’s common in Bollywood music. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus → Verse → Chorus → Bridge → Chorus** structure. In the **verse**, focus on **clean, legato strumming** and smooth chord changes (e.g., Em → C → Am). The **chorus** repeats the **Em → Bm → D → C** progression, so practice **anticipating the Bm to D shift**. The **bridge** introduces a **new motif** with the line “Kya jaane tu mere iraade,” using **Em → C → D → Am**. Pay attention to the **dynamic swell** here, building up to the final chorus. ## 💡 Pro Practice Tip Master the **“Wajah tum ho” chorus** by practicing it **slowly with a metronome**, focusing on **clean chord changes** and **even strumming**. Once comfortable, add **subtle hammer-ons/pull-offs** on the D and C chords to add texture. This will help you internalize the song’s emotional core while improving your technique.