Killer

Last updated: 2/8/2026

🎤 White Ts🎼 Key: G MinorLevel: Intermediatechords

Learn to play Killer by White Ts with these easy guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
Gm--Cm--D--A#

Gm If I was a pirate sailing the seas
WouldCm u come and pillage the village with me
We'llD bury the treasure and go down together
IfGm I was a pirate
IfGm I was an outlaw robbin' the bank
WouldCm you be my Bonnie, help me get away?
WouldD you pull the trigger and blow 'em away?
IfGm I was an outlaw
A# HowD bad would IGm have to be?
A# HowD bad?
IfGm I was a vampire roamin' the night
WouldCm u be my prey & put ur neck on the line?
D Live in the shadows & die in the light?
IfGm I was a vampire
IfGm I was a wanted man on the run
WouldCm u take a fall if we were under the gun?
&D drop down beside me in the nooses they've hung?
IfGm I was a wanted man on the run
A# HowD bad would IGm have to be?
A# HowD bad?
IfCm I was the worst man in the world
WouldGm you still be my girl?
TheCm scariest monster you ever seen
WouldD you still love me?
IfGm I was killer with blood on my hands
WouldCm you be my alibi and lie on the stand?
D Swear on your life that I'm an innocent man?
IfGm I was a killer
A# HowD bad would IGm have to be?
A# HowD bad?
## 🎸 Song Overview & Key "Killer" by White Ts is a high-energy, dramatic rock track with a moody, rebellious vibe. The song is rooted in **G minor**, giving it a dark, brooding atmosphere that matches its themes of danger and defiance. The tempo is moderately fast, around **110–120 BPM**, with driving rhythms and punchy chord changes. One standout feature is the use of **A#** chords, which add tension and a slightly dissonant edge to the progression, making the song feel urgent and intense. ## 📐 Chord Progression Analysis The core progression revolves around **Gm → Cm → D**, with **A#** acting as a pivot chord. In G minor, Gm is the i chord, Cm is the iv, and D is the VII (raised seventh). This creates a sense of tension, especially when moving to A#, which functions as a **secondary dominant** (acting like a V chord for D). The movement from Cm (iv) to D (VII) feels unresolved, while the A# adds a haunting, unexpected twist. The progression leans heavily on **chromaticism** (using A# instead of A natural), which is common in rock and blues to evoke emotional intensity. ## 🖐️ Fingering & Technique Tips For **Gm**, use a **barre chord** with your first finger across the 3rd fret, or try an open-voicing shape (e.g., 6th string open, 5th string 1st fret, etc.). **Cm** is easier as an open chord (root on 3rd fret, 5th string). The **D chord** should be played with a standard open shape. The **A#** chord is the trickiest here—try using a **partial barre** on the 2nd fret (covering strings 2–6) with your first finger, and place your 2nd finger on the 3rd fret of the 4th string. For smoother transitions, practice shifting between A# and D slowly, focusing on keeping your fingers close to the fretboard. ## 🥁 Strumming Pattern & Rhythm Use a **down-up strumming pattern** with emphasis on the backbeat (2nd and 4th beats). For verses, keep the strumming **subtle and rhythmic**, using light fingerpicking on the offbeats for texture. In choruses, increase **dynamics** by strumming more aggressively, especially on the **D** and **A#** chords. The time signature is **4/4**, with a steady, driving groove. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus → Verse → Chorus → Bridge → Chorus** structure. In **verses**, the chords cycle through **Gm → Cm → D**, with **A#** appearing in the pre-chorus ("How bad would I have to be?"). The **chorus** repeats the **Gm → Cm → D** pattern but adds the **A#** for dramatic effect. The **bridge** uses **Cm → Gm → A# → D**, creating a climactic build before resolving back to the chorus. Pay attention to the **A#** chord in the bridge—it’s a key moment for adding emotional weight. ## 💡 Pro Practice Tip Master the **A# chord** by practicing it in isolation with a metronome. Start at a slow tempo (60 BPM), ensuring each note rings clearly. Once comfortable, practice transitioning from **Cm → A# → D** smoothly. This will help you nail the song’s tense, dramatic shifts without sounding rushed.