Hardum Humdum

Last updated: 30/7/2026

🎤 Arijit Singh, Pritam🎼 Key: D MajorLevel: Beginnerchords

A beautiful Bollywood song by Arijit Singh, Pritam with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
D--A--G

D Yeh li hai meri aankhon ne
KasamA hai aaj
Rakhegi tujheG khwab mein
Hamesha harA dum harG pal
HarD shab humA dum humD dum
D Yeh li hai meri aankhon ne
KasamA hai aaj
Rakhegi tujheG khwab mein
Hamesha harA dum harG pal
HarD shab humA dum humD dum
D Yeh li hai meri aankhon ne
Kitna hoonG chahta Kaise kaD hun tujhe
SayaG tera dikhe To choomD loon use
Jis dinA tujhe milun Dil yehD dua kare
Din yeA khatam na ho Na shamD ko dhale
D Rahe bas sath hum tu raheA paas.....
Rakhun main tujheG baahon mein
Hamesha harA dum harG pal
HarD shab humA dum humD dum
D Yeh li hai meri aankhon ne
## 🎸 Song Overview & Key "Hardum Humdum" is a soulful, romantic ballad that flows with a gentle, longing mood, typical of Arijit Singh’s emotive style. The song is in the key of **D Major**, as evidenced by the recurring [D] and [Bm] chords. The tempo is moderate (around 60–65 BPM), allowing for expressive phrasing and smooth legato playing. The chord progression leans heavily on the **I (D), vi (Bm), V (A), and IV (G)**, creating a lush, cinematic feel that’s common in Bollywood music. The melody often lingers on the [A] and [G] chords, adding a sense of yearning. ## 📐 Chord Progression Analysis The song revolves around the **I-VI-V-IV** progression in D Major: - **[D] → [Bm] → [A] → [G]** repeats throughout, with variations in the bridge. This progression works because the **vi (Bm)** chord adds a bittersweet emotional layer, while the **V (A)** and **IV (G)** chords create tension and resolution, respectively. The Roman numeral movement (I to vi to V to IV) is a staple in Bollywood ballads, offering a balance between stability and emotional depth. The [A] chord, acting as the dominant, often leads back to [D], reinforcing the song’s cyclical, heartfelt structure. ## 🖐️ Fingering & Technique Tips For **[D]**, use your 1st finger on the 3rd fret of the G string, 2nd finger on the 2nd fret of the B string, and 3rd finger on the 2nd fret of the high E string. For **[Bm]**, barre your 2nd finger across the 2nd fret (G, B, high E strings) and place your 1st finger on the 2nd fret of the D string. If [Bm] feels tough, try an open voicing: **Bm7 (2nd fret G string, 3rd fret D string, 2nd fret A string, 0 on E)**. The transition from **[D] to [Bm]** requires careful finger movement—practice shifting your 1st finger from the D string to the G string smoothly. For **[A]** and **[G]**, use standard open voicings to keep things simple. ## 🥁 Strumming Pattern & Rhythm Use a **soft, flowing strumming pattern** like **↓↑↓↑↓↑** (down-up-down-up), emphasizing the **[A]** and **[G]** chords in the chorus for added warmth. In verses, keep the strumming sparse and delicate, using your fingers to pluck individual strings for a more intimate feel. Dynamics should swell slightly during the chorus ("Har shab hum dum hum dum") and soften in verses. The time signature is **4/4**, with a steady, heartbeat-like rhythm. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Chorus** structure, repeating twice before introducing a bridge. The **verse** (e.g., "Yeh li hai meri aankhon ne") uses the **[D]–[Bm]–[A]–[G]** progression, while the **chorus** ("Har shab hum dum hum dum") emphasizes the **[D] and [A]** chords for emotional impact. The bridge ("Rahe bas sath hum tu rahe paas...") introduces a new melodic line but sticks to the same chord progression, creating a sense of continuity. Pay attention to the **[G]** chord in the bridge—it’s a pivot point for the final chorus. ## 💡 Pro Practice Tip Focus on **smoothening the transition from [D] to [Bm]** by practicing them slowly with a metronome. Place your hand in the [D] chord, then lift your 1st finger off the D string and slide it down to the G string for [Bm]. This motion becomes smoother with repetition and helps maintain a consistent rhythm, even during emotional, slower sections.