Devak Kalji Re
Last updated: 27/7/2026
🎤 Ajay Atul🎼 Key: E MajorLevel: Intermediatechords
A beautiful Marathi song by Ajay Atul with soulful guitar chords.
Guitar Chords
Key0
Size16
## Chords Used
E--Am--C#m--A--D--B--C
E Honar hotla, jaanar jaatala
Am Mage tu phiru nako
E Ugach sandun kharyachi sangat
Am Khotyachi dharu nako
C#m Yeil diwas tuzha hi manasa
A Jigar sodu nako
E Tuzhya haati aahe dav saara
D Isar gajaalB kaalchi re
E Dewak Kalji re
MazhyaA dewak kaljiE re
E Dewak Kalji re
MazhyaA dewak kaljiE re
E Sobati re tu tuzhach
E An tula tuzhich saath
A Shodhuni tuzhi tu waat
D ChalE ekala
E Houde de jara ushir
C Sodtos ka re dhir
A Raat sampta pahat
D Hoi reE punha
E Dewak Kalji re
MazhyaA dewak kaljiE re
E Dewak Kalji re
MazhyaA dewak kaljiE re
E Phatkya zholit yeun padate
E Rojachi navi nirasha
Am Sapaan gathila dharat vethila
C Kashi ra sutaviE aasha
Am Avasechi raatD nashibaaE la
Am PunveC chi raakhD padraE la
E Hoin punav manashi jaagav
Am Khachun jau nako
E Yeil muthit tuzhyahi aabhal
Am Maghar gheu nako
C#m Ugach bhayan Vadal varyachya
A Paul rokhu nako
E Saad ghali disa udhyachya navyane
D Isar gajaalB kalchi re
E Dewak Kalji re
MazhyaA dewak kaljiE re
E Dewak Kalji re
MazhyaA dewak kaljiE re
E Sobati re tu tuzhach
E An tula tuzhich saath
A Shodhuni tuzhi tu waat
D ChalE ekala
E Houde de jara ushir
C Sodtos ka re dhir
A Raat sampta pahat
D Hoi reE punha
E Dewak Kalji re
MazhyaA dewak kaljiE re
E Dewak Kalji re
MazhyaA dewak kaljiE re
## 🎸 Song Overview & Key
"Devak Kalji Re" is a soulful, devotional track with a rich blend of Bollywood and Indian classical influences. The song’s mood is deeply emotional, leaning into a melancholic yet uplifting tone, perfect for expressing devotion or longing. The key is **E major**, as evidenced by the prevalence of the E chord throughout the verses and choruses. The tempo is moderate, around **90-100 BPM**, allowing for expressive phrasing and rhythmic flow. A standout characteristic is the use of **microtonal slides** and **measured vibrato**, common in Indian music, which adds a unique flavor to the melody. The chord progression also incorporates **borrowed chords** (like C#m) to create tension and resolution, typical in Bollywood’s emotive storytelling.
## 📐 Chord Progression Analysis
The song revolves around **E, Am, A, D, and Bm**, with occasional shifts to **C#m** for dramatic effect. The progression often moves in **ii-V-I** patterns (e.g., Am → Bm → E), creating a sense of resolution. For example, in the line *“Ugach sandun kharyachi sangat”*, the movement from **E → Am → C#m** adds a melancholic twist, while the **D → Bm → E** sequence in the chorus (*“Dewak Kalji re”*) delivers a triumphant, devotional feel. Roman numerals in E major show this as **i → vi → vii°**, leveraging the **leading tone** (C#) to pull back to the tonic (E). These shifts mirror the song’s emotional arc, balancing tension with catharsis.
## 🖐️ Fingering & Technique Tips
The **E major chord** (using 0-2-2-0-0-0) is central here—practice it with a light touch to avoid muting the high E string. For **Am**, ensure your 2nd finger is curled over the B string for clarity. The **C#m** chord (barre across the 4th fret) can be tricky; try using your pinky on the 3rd string (G) to stabilize it. If barres feel stiff, experiment with **simplified voicings** (e.g., omitting the 6th string). Smooth transitions are key: practice shifting from **E → Am** by moving your 1st finger down to the 2nd fret, and from **Am → C#m** by sliding your 2nd finger up the fretboard.
## 🥁 Strumming Pattern & Rhythm
Use a **down-up-down-up** pattern with a **light, percussive accent** on beats 2 and 4 for verses, mimicking the rhythm of a tabla. In choruses, add **dynamics** by strumming harder on the **E and A chords** to emphasize the call-and-response feel. The time signature is **4/4**, consistent throughout. For lines like *“Chal ekala”*, simplify the strumming to a **single-downstroke** pattern to match the lyrical emphasis.
## 🎵 Song Structure Walkthrough
The song follows a **Verse → Chorus → Bridge → Chorus** structure. The **verse** (e.g., *“Honar hotla, jaanar jaatala”*) uses **E → Am → C#m** progressions, while the **chorus** (*“Dewak Kalji re”*) cycles between **E, A, D, Bm** for a devotional, anthemic feel. The **bridge** (*“Ugach bhayan Vadal varyachya”*) introduces **C#m → A → E**, creating a dramatic shift. Pay attention to the **transition from verse to chorus**, where the rhythm opens up, allowing space for the melody to shine.
## 💡 Pro Practice Tip
Focus on **matching the vocal phrasing** when playing the melody. For example, in *“Dewak Kalji re”*, let your strumming follow the singer’s pauses and crescendos. This will help you internalize the song’s emotional nuances and make your playing feel more connected to the lyrics.