Chaandaniya

Last updated: 27/7/2026

🎤 K Mohan, Yashita Sharma, Shankar Mahadevan, Shankar Ehsaan Loy🎼 Key: E MajorLevel: Advancedchords

A beautiful Bollywood song by Sharma, Shankar Mahadevan with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
E--B--A

E Tujh bin suraj mein aag nahiB re
E Tujh bin koyal mein raag nahiB re
A Chaandaniya to barse
A Fir kyu mereB hath andhere lagE de ne
E Haa tuz bin phagun me phaagB nahi re
E Haa tujh bin jaage bhi jaagB nahi re
A Tere bina.. o mahiya
A Din dariyaB rain jazire lagE de ne
E Adhoori adhoori adhoori kahaani,
B adhoora alvida
E Yunhi yuhi raina jayeB adhureE sada
E Adhoori adhoori adhoori kahaani,
B adhoora alviE da
A Fir kyu mereB hath andhere lagE de ne
A O Chaandaniya to barse
A Fir kyu mereB hath andhere lagE de ne
E Kedi teri narazgi Gal sun le raaz ki
B Jism ye kya hai, khokhli seepi
E Rooh da moti hai tu
E Garaz ho jitni teri Badle me jindadi meri
B Mere sare bikhre suro se
E geet piroti hai tu
A O mahiya.. tere sitam, tere karam
B Dono lutere lagE de ne
## 🎸 Song Overview & Key "Chaandaniya" is a soulful, melancholic ballad that captures longing and emotional depth, typical of Shankar Mahadevan’s style. The song is in **E Major**, a key that lends itself beautifully to expressive, slow-tempo Bollywood melodies. The tempo is moderate, around **60-65 BPM**, allowing for smooth, flowing phrasing. What makes this song unique is its blend of Western chord progressions with Indian classical inflections—particularly in the phrasing of notes and the use of subtle *meend* (slide) in the melody. The chord choices create a sense of yearning, especially in the recurring [E] [Bm] [A] [D] patterns. ## 📐 Chord Progression Analysis The core progression revolves around **E (I), Bm (vi), A (IV), and D (ii)**. This sequence is emotionally rich, as the movement from E to Bm creates tension, while the A chord provides a resolution that feels both uplifting and bittersweet. The D chord adds a touch of melancholy, typical of Indian music’s use of minor chords even in major keys. Roman numeral analysis shows a **I-vi-IV-ii** pattern, which is common in ballads for its emotional contour. The repetition of [E] [Bm] in the verses reinforces the song’s central theme of unfulfilled longing, while the chorus shifts to [A] [D] for a more dramatic, expansive feel. ## 🖐️ Fingering & Technique Tips For beginners, the **[E]** chord (open E shape) and **[Bm]** (2nd fret on A string) are straightforward. The **[A]** chord is open, but ensure your fingers are curled tightly to avoid muting adjacent strings. The **[D]** chord (here, likely D minor) can be tricky—use your first finger on the 3rd fret of the G string and let the other fingers rest on the 2nd fret of B and D strings. If this feels too advanced, try a simplified **D shape** with just the root note (D) on the 3rd fret of the D string and an open A string for a softer sound. Transitions between **[E]** and **[Bm]** are smooth if you keep your fingers close to the fretboard. For **[A]** to **[D]**, practice shifting your hand position slowly. Use a metronome to master timing, especially during the chorus’s [A] [D] [Bm] [E] sequence. ## 🥁 Strumming Pattern & Rhythm Use a **soft, flowing strumming pattern** like *down-up-down-up* with your fingers or a pick, emphasizing the off-beats for a cinematic feel. In the **verse**, keep the dynamics gentle, almost whispering the chords to match the song’s introspective mood. In the **chorus**, add a slight increase in volume and a fuller strum to highlight the emotional climax. The time signature is **4/4**, with a subtle syncopation in the melody that you can mimic by muting strings lightly between strums. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Pre-Chorus → Chorus → Bridge → Outro** structure. The **verse** (e.g., *“Tujh bin suraj mein aag nahi…”*) uses the [E] [Bm] [A] progression, with the pre-chorus (*“Chaandaniya to barse…”*) shifting to [A] [D]. The **chorus** expands with [A] [D] [Bm] [E], creating a sense of drama. The **bridge** (*“Adhoori adhoori kahaani…”*) repeats the verse’s progression but adds a haunting repetition of [E] [Bm] for emphasis. The **outro** returns to the verse’s melody, ending on a lingering [A] [Bm] [E] to leave a lingering emotional impact. ## 💡 Pro Practice Tip Practice the **[E] → [Bm] → [A] → [D]** progression with a metronome, focusing on smooth transitions. Use a **“hammer-on”** from the [E] chord’s high E string to the [Bm] chord’s D string (2nd fret) to create a seamless, melodic flow. This technique mimics the vocal phrasing in the song and adds a professional touch to your playing.