Bas Ek Dhadak

Last updated: 26/7/2026

🎤 Jubin Nautiyal, Shreya Ghoshal🎼 Key: B MinorLevel: Intermediatechords

A beautiful Bollywood song by 2, Jubin Nautiyal, Shreya Ghoshal with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
Bm--G--A--F#--D

Tu mu Bm jhe zameen pe dikh G gaya
Shay Bm aron ne haar maan G li
Tujhpe Bm main wo nazm likh G gaya
Ek A bhatke hue G kaafiye ki tarah
Tere A chehre pe F# main ruk gaya
Moh Bm abbat ka meri ye peh A la safar hai
Za G meen se falak ch F# ahiye
Jo Bm neendein uda de, na A sone de mujhko
Wo G meethi tadap ch F# ahiye
D Umar bhar nibhaayegi jo A saath mera
G Bas ek dhadak ch F# ahiye
Bm Mohabbat ka meri ye peh A la safar hai
G Zameen se falak cha F# hiye
Bm Umar bhar nibhaayegi jo A saath mera
G Bas ek dhadak ch F# ahiye
G Bas ek dh A adak cha Bm hiye
Mai Bm kuch bhi nahi thi G mili jab se tum se
A Mujhe zindagi mil Bm gayi
T Bm еri roshni ki naz G ar jo padi toh
F# Meri har khushi khil Bm gayi
D Tu G mera kya hai A kaise batau Bm tuzе
D Main bas G teri hoon,
A itna pata hai Bm mujhe F#
Jo A kabhi udd raha tha G patang ki tarah
Teri A baaton se main katt F# gaya
Mo Bm habbat ka meri ye A pehla safar hai
Za G meen se falak chahi F# ye
Jo ne Bm endein uda de, na A sone de mujhko
Wo G meethi tadap ch F# ahiye
D Umar bhar nibhaayegi A jo saath mera
B G as ek dhadak ch F# ahiye
G Bas ek d A hadak cha D hi F# ye
G Bas ek d A hadak cha D hiye
## 🎸 Song Overview & Key "Bas Ek Dhadak" is a romantic, soulful track that blends Bollywood’s emotional depth with melodic guitar work. The song is in the key of **D major**, as evidenced by the raw chords provided (D, Bm, G, A, F#). The tempo is moderate, around **60-70 BPM**, allowing for expressive phrasing and dynamic shifts. What makes this song unique is its mix of major and minor chords (like Bm and F#), which create a bittersweet, longing mood—perfect for conveying the lyrics’ themes of love and longing. The use of the **F# chord** (a raised fourth in D major) adds tension, a hallmark of Indian classical and Bollywood music. ## 📐 Chord Progression Analysis The song revolves around a simple yet emotive progression: **Bm → G → A → F#**. This movement follows a **vi–V–vii–#iv** pattern in D major, creating a sense of unresolved tension that resolves back to the tonic (D). For example, in the verse *"Tu mu [Bm] jhe zameen pe dikh [G] gaya"*, the Bm to G shift feels like a natural emotional build, while the A to F# adds a haunting, unresolved quality. The Roman numeral progression (vi–V–vii–#iv) is common in Indian music, where dissonance and resolution are used to heighten emotional impact. ## 🖐️ Fingering & Technique Tips For **Bm** and **F#**, beginners may struggle with barre chords. For Bm, use your index finger barred across the 2nd fret (A string to high E), with the remaining fingers on the 3rd fret (D, G, B strings). If barres are tough, try an open Bm shape (2nd fret A, 3rd fret D, 2nd fret G). For **F#**, use a simplified voicing: 2nd fret B string (F#), 3rd fret G string (A), and 3rd fret D string (B), leaving the high E string open. Transitions between **Bm → G** can be smoother if you keep your pinky on the G chord’s 3rd fret (B string) while moving your index finger from the Bm barre to the G shape. ## 🥁 Strumming Pattern & Rhythm Use a **steady, flowing pattern** like **"down, up, down, up, down, up"** for verses, emphasizing the **G and D chords**. In the chorus, add a **syncopated rhythm** on the **F# chord** (e.g., *down-up-down-up, rest, down-up*), creating a heartbeat-like pulse that mirrors the song’s title, *"Bas Ek Dhadak"* (Just One Heartbeat). The time signature is **4/4**, with subtle dynamic shifts—play softer during verses and build intensity in the chorus. ## 🎵 Song Structure Walkthrough The song follows a **Verse → Pre-Chorus → Chorus → Verse → Chorus → Bridge → Chorus** structure. In the **verse**, focus on clean, even strumming with the **Bm–G–A–F#** progression. The **pre-chorus** (*"Ek bhatke hue kaafiye ki tarah"*) uses a **A–G–F#** pattern, building tension before the chorus. The **chorus** (*"Umar bhar nibhaayegi jo saath mera"*) repeats the **D–A–G–F#** progression, with the **D chord** serving as the emotional anchor. The **bridge** (*"Mai kuch bhi nahi thi mili jab se tum se"*) shifts to a **Bm–A–F#** pattern, creating a climax before returning to the final chorus. ## 💡 Pro Practice Tip Master the **Bm → F# transition** by practicing it slowly at first. Place your index finger on the Bm barre (2nd fret), then slide it up to the F# shape (2nd fret B string, 3rd fret G and D strings). This sliding motion will help you move between chords smoothly once you build muscle memory. Pair this with singing the lyrics to internalize the phrasing—this will make your playing feel more natural and expressive.