Baarish Ki Jaaye
Last updated: 30/7/2026
🎤 Asha Bhosle🎼 Key: D MinorCapo: FirstLevel: Intermediatechords
A beautiful Bollywood song by Asha Bhosle with soulful guitar chords and strumming patterns.
Guitar Chords
Key0
Size16
## Chords Used
Dm--Am--Gm--A#--C--F
Ke Apni Aag Bujha Ke Kare
Yeh Suraj Se Bhi Keh Do
Ke Apni Aag Bujha Ke Kare
Agar Usse Baatein Karni Hai
Toh Phir Nazar Jhuka Ke Kare
Toh Phir Nazar Jhuka Ke Kare
TaaDm re uskeAm hath mein
Dm hone hi chahiye
JugDm nu uskeAm sath mein
Dm sone hi chahiye
HoDm khushbuon seAm uski
sifaGm rish ki jaaAm ye
HoDm khushbuon seAm uski
sifaGm rish ki jaaAm ye
Dm Ae khuda tu bol deGm tere badloAm ko
Dm Ae khuda tu bol deGm tere badloAm ko
MeraA# yaar hassC raha hai
baaDm rish ki jaaye
A# Yaar hassC raha hai
baaDm rish ki jaaye
Dm Yeh suraj se bhiAm keh do
Ke apniA# aag bujha ke kaF re
ADm gar usse baatein hainAm karni
TohA# nazarein jhuka ke kaAm re
Yeh sooDm raj se bhi keh do
Ke apniAm aag bujha ke kare
AgarA# usse baatein hain karni
ToC nazarein jhukaDm ke kare
MoGm habbate Jaani ki
Poori khwaaF hish ki jaC ye
MoDm habbate JaaGm ni ki
Poori khwaaF hish ki jaC ye
Dm Ae khuda tu bol deGm tere badloAm ko
Dm Ae khuda tu bol deGm tere badloAm ko
MeraA# yaar hassC raha hai
baaDm rish ki jaaye
A# Yaar hassC raha hai baaDm rish ki jaaye
HayeDm aashik ho jaane mein
A# Kitna waqt lagta hai
C Rabb ke ghar mein aane mein
Am Kitna waqt lagta hai
A# Dekha use to yehC maloom hua
KeGm jannat ko paane mein
Am Kitna waqt lagta hai
Dm Yeh zamana jaane na
F kya kara sakGm ti hai
HoA# yaar mere ki nazrein hainC
Dariya duba sakDm ti hai
Dm Uska bas chale to saraA# dariya piC jaye
Gm Uska bas chale to saraA# dariya piC jaye
Dm Ae khuda tu bol deGm tere badlonAm ko
A# Yaar hassC raha hai baaDm rish ki jaaye
## 🎸 Song Overview & Key
"Baarish Ki Jaaye" is a soulful, romantic ballad by Asha Bhosle, steeped in longing and devotion. The song is in **C minor** (with a capo on the 1st fret), giving it a melancholic, introspective mood. The tempo is **slow to moderate** (around 60–70 BPM), allowing for expressive phrasing and emotional build-up. What makes this song unique is its blend of **Indian classical microtones** (like the A# chord) and Western pop structures, creating a rich, layered sound. The recurring motifs of "baarish ki jaaye" (let the rain fall) and references to "khuda" (God) add spiritual depth, while the chord progression leans heavily on **Dm, Am, and Gm** for its haunting, cinematic feel.
## 📐 Chord Progression Analysis
The song’s chord progression revolves around **Dm, Am, Gm**, with occasional shifts to **A# and C** for dramatic effect. In C minor (capo 1), these chords translate to **Cm, Gm, Fm**, and **C# and Bb** (though the raw chords remain as written). The movement between **Dm → Am → Gm** creates a sense of yearning, while the **A# chord** introduces a jarring, emotional pivot—common in Bollywood ballads to emphasize climax moments. Roman numerals in C minor would label Dm as **ii**, Am as **vi**, and Gm as **iii**, forming a **ii–vi–iii** progression that leans into the minor key’s tension. The **C chord** (major) contrasts sharply with the minor key, adding a bittersweet resolution.
## 🖐️ Fingering & Technique Tips
Focus on **clean, precise finger placement** for the **Dm and Am chords**—these are foundational. For **Dm**, use your index finger on the 2nd fret of the B string, middle on the 3rd fret of the G string, and ring on the 3rd fret of the D string. For **Am**, barre the 2nd fret with your index (or use a partial barre if needed). The **A# chord** (which is an **E# in C minor**) is tricky but can be simplified by using a **partial barre** on the 4th fret (index finger) and playing the 3rd fret of the G string with your ring finger. If this feels too difficult, try an **Emaj7 voicing** as a substitute. Smooth transitions between **Dm and Am** are key—practice shifting your fingers without muting strings.
## 🥁 Strumming Pattern & Rhythm
Use a **gentle, flowing strumming pattern** to match the song’s emotional tone. Try: **↓ ↑ ↓ ↑ ↓ ↑** (downstrokes and upstrokes alternating), with **light emphasis on the 1st and 3rd beats**. In **verses**, keep the strumming soft and sparse, letting the melody breathe. In the **chorus**, add more **dynamic swells** by increasing pressure on the pick. The time signature is **4/4**, typical for Bollywood songs. Pay attention to the **[Dm] [Bm]** sections in the chorus—these should feel more resolved and full, with a slight **accent on the "Bm" chord**.
## 🎵 Song Structure Walkthrough
The song follows a **Verse → Chorus → Verse → Chorus → Bridge → Chorus** structure. The **intro** begins with a **Dm chord**, setting the mood. **Verses** use **Dm → Am → Gm** progressions, while the **chorus** leans heavily on **Dm and Am**, with the **A# chord** appearing in the second line for drama. The **bridge** introduces the **Gm and C chords**, creating a shift in energy. Pay close attention to the **"Mera yaar hass raha hai"** section—it uses a **Dm → A# → Dm** progression, which requires careful finger placement.
## 💡 Pro Practice Tip
Master the **A# chord** by practicing it with a **metronome** at a slow tempo (40 BPM). Focus on **stabilizing your barre** and muting the 5th string (A) to avoid unwanted noise. Once comfortable, incorporate it into the **"baarish ki jaaye"** section, emphasizing the emotional contrast between the **A# and Dm chords**. This will help you capture the song’s signature **melancholic climax**.