Apna Bana Le Piya

Last updated: 26/7/2026

🎤 Arijit Singh🎼 Key: A MajorLevel: Intermediatechords

A beautiful Bollywood song by Arijit Singh with soulful guitar chords and strumming patterns.

Guitar Chords

Key0
Size16
## Chords Used
A--E--F#m--D--C#m--Bm

A Tu Mera KoiE Na Hoke Bhi KuchA Lage
Tu Mera KoiE Na Hoke Bhi KuchA Laage
Kiya Re Jo BhiF#m Tune Kaise KiE ya Re
Jiya Ko MereD Baandh Aise LiC#m ya Re
Samajh Ke BhiBm Na Samajh main SaE kun
Saveron Ka MeE re Tu SoorajA Laage
Tu Mera KoiE Na Hoke Bhi KuchA Laage
A Apna Bana Le PiyaA Apna Bana Le Piya
A Apna Bana Le MujheD ApnaE Bana Le Piya
A Apna Bana Le PiyaA Apna Bana Le Piya
A DilKe NagarmeD Sheher TuA Basa Le Piya
A Chhune Se Tere Haan Tere Haan Tere
D Pheeki Ruton KoE Rang Lage..A ..
A Teri Disha Mein KyunA Chalne Se Mere
D Pairon Ko Pankh LaE ge
E Raha Na MereF#m Kaamka JagE Saara
E Hai Bas TereD Naamsehi GuC#m zara
Ulajh Ke yuBm Na Sulajh mai SaE ku
E Jubaniya TeE ri zuthi Bhi SachA Laage
Tu Mera KoiE Na Hoke Bhi KuchA Laage
A O.. Sab Kuch Meraaaa Chaahe....
Naam ApD neeee... LikhaaaaA Le..
Badle....Bm Mein Itni To
YaaD ri NibhaE Le...
A Jag Ki...Hirasat Se
MujhkoD Chhuda Le...
A ApnaD Bana...Le
BasF#m Apnaaaa BaA na Le...
## 🎸 Song Overview & Key "Apna Bana Le Piya" is a soulful, romantic ballad that leans into Arijit Singh’s signature emotional depth. The song is in the key of **A major**, which gives it a warm, heartfelt tone. The tempo is slow to moderate (around 60–70 BPM), allowing space for expressive phrasing and emotional builds. What makes this song unique is its blend of Western chord progressions with Indian classical inflections, especially in the way the melody bends around the chords like a *meend* (glide) in classical music. The lyrics and chords work together to create a sense of longing and devotion, typical of Bollywood love songs. ## 📐 Chord Progression Analysis The chord progression revolves around **A, E, F#m, D, C#m, and Bm**, creating a cycle that moves between major and minor tones. The progression often follows **I – V – vi – IV – iii – ii** in Roman numerals (A – E – F#m – D – C#m – Bm). This movement creates tension and resolution, especially when moving from the E (V) chord back to A (I). The F#m (vi) and C#m (iii) add a melancholic undercurrent, while the D (IV) chord provides a sense of stability. These chords work together because they’re all diatonic to A major, allowing smooth voice leading and harmonic flow. For example, the transition from F#m to D feels natural because the D chord shares the F# note, creating a smooth melodic connection. ## 🖐️ Fingering & Technique Tips For the **A chord**, use the standard 002220 shape (index on 2nd fret, middle finger on 3rd, ring on 4th). The **E chord** is straightforward with your index on the 1st fret. The **F#m** chord (barre at the 2nd fret) can be tricky—try using your index finger as a barre and ring finger on the 4th fret of the G string. For **C#m**, a barre at the 4th fret is ideal, but beginners can simplify it by using an open E shape shifted up two frets. The **Bm** chord (224432) works well for transitions. Practice moving between A and E slowly, focusing on clean finger placement. If transitions feel stiff, try using a half-step slide between chords like A to E. ## 🥁 Strumming Pattern & Rhythm Use a soft, flowing strumming pattern like **↓ ↑ ↓ ↑ ↓ ↓ ↑ ↑**, emphasizing the downstrokes on beats 1 and 3. In verses, keep the dynamics gentle, almost whispering the chords, while choruses should swell with more energy. The time signature is **4/4**, with a steady, heartbeat-like rhythm. For the line *"Apna Bana Le Piya"*, add a subtle accent on the "Piya" syllable to highlight the emotional climax. ## 🎵 Song Structure Walkthrough The song opens with a verse in A – E – F#m – D, building emotional weight. The chorus repeats the A – E – D – C#m – Bm progression, with the **"Apna Bana Le Piya"** section using a repeating A – D – E pattern. The bridge (*"Jag Ki...Hirasat Se"*) shifts to a simpler A – D – Bm – F#m structure, creating a contrast before returning to the chorus. Pay attention to the **"Chhune Se Tere Haan"** section, where the rhythm becomes more syncopated, requiring precise strumming. ## 💡 Pro Practice Tip Focus on **smoothing the transition between A and E chords** by practicing them with a metronome at 60 BPM. Use a "hammer-on" from the A chord’s 2nd fret (B string) to the E chord’s 1st fret (G string) to make the shift feel seamless. This technique adds a subtle, expressive flair that matches the song’s romantic essence.